Monday, February 01, 2010
A Story
Once in college, while living in a trailer off campus, I introduced two of my friends to some hashish. We were excited because it looked so beautiful and smelled so heavenly.
We placed a small chunk of it on a pin which was stuck through a piece of cardboard, lit it, then placed a glass on top of it. The smoke would fill the glass then each of us took turns inhaling it. The effect was almost immediate.
I decided to play some Pharoah Sanders because one of my friends loved jazz. The music was very atonal and explosive. My friend began to hold his breath and looked like he was about to have a convulsion. Seeing this, my other friend shouted,
"Take that off! Take that off! It's going to kill him!"
I Don't Get It

Beyonce grabbed six of them. In her case, I cannot discern a lick of originality or innovation (think Imogen Heap). Album sales. Good looks. She radiates sincerity as well. Great qualities, but where's the music? The Sasha product is nice to look at, but I ain't hearing nothing special. Plus, her traipsing in with these Halo military troops was weird. What did that have to do with the song?
The Black Eyes Peas have a good thing going on and it wouldn't have flown so high without Fergie, but they need to send a nice fat check to Kraftwerk. They merely have taken Kraftwerk to urban hip hop. Boom, boom, pow? The lyrics are embarrassing. Enjoy it now. It doesn't sound like good rap or hip hop to me either. Just watered down techno dance.
The love the surreal theatricality of Lady Gaga (Think Pin Up era Bowie with shades of Alice Cooper), but for all of the "look" of it, the music seems to be like wallpaper - only as set design. The duet with Elton John was...what? A musical love letter to each other? Are they dating or is just their makeup going steady?
Pink's performance was amazing. You just have to watch it. Best thing of the night.Friday, January 29, 2010
the wisdom of old men

O dark dark dark.
They all go into the dark
An old college buddy of mine sent me an email that my Music History/Ear Training (We used to call it ear straining) teacher, Dr. Edward Wolf, passed away this past Sunday. I was really saddened by this news.
Dr. Wolf was my professor at West Liberty State (now West Liberty University) when I was a struggling music education major from 1977 to 1980. I knew every little about music then and every week I came up against that hard fact. Wolf was one of those who would not let you off the hook. You learned, baby.
Dr. Wolf could have taught anywhere-Harvard, Yale, you name it. He was that good. Scary smart. Yet, he taught at a state school in WV to a bunch of lunkheads.
Nobody that took a class from him could forget his scholarship, integrity, brilliance and his often eccentric personality. "Wolfie," as we sometimes called him, always dressed in old school suit and tie (I would have guessed a sensible collection of suits from the 50's or 60's). On occasion, he might teach without a jacket, but never ever did I see him without a tie. Never flashy, but always groomed.
He was a very sober and dedicated individual whose personal discipline, to a bunch of lethargic confused stoner college kids, was something beyond comprehension. I once asked him about study habits. He told me about how, when his mind began to lose concentration during the inevitable long study hours, he would run laps around the library to re-energize. "And I never did any work after 11." To this day, because of that one conversation, I often set a time in which I will stop practice. The practical use of time is something that has to be learned. I never came close to it in college.While one prof joined us for a kegger and one had an affair with a female student, you would never dream that of Dr. Wolf. He didn't want to be your friend, you were his student. The line was very clear and never crossed.
Like most people with a high intellect, his personality was odd. He was at once cheerful and friendly, seemingly interested in your well being and always ready to answer your music queries and another day, it appeared to have pained him to say hello. He would muster up an obligatory and frosty, "Hi" and keep on walking.
In music history, he could be strict and stern, but every student worth their salt respected his knowledge and scholarship. You might get terribly frustrated when you hit the inevitable wall in his class and say you hated the man, but you knew he was going to give the grade that you deserved. His integrity was beyond reproach.
He did drive me mad in Ear Training. He was too cheerful for the morning hours and practically jumped up and down while he would say, "Keep those finger tappers tapping!" We poor music students murdered the rhythms and pitches while we sang in the confounding solfeggio.
My colleague and college friend said it very well:
So the Old Guard passes. And we become the Old Guard, now, I guess (I have students now in Ferrywhose parents were students of mine).
Please spread the news far and wide, to whom it may concern, that one who challenged us greatly--and for whom we rose to the challenge--has passed on.
Wednesday, January 20, 2010
Honor Thy Happiness

Monday, January 18, 2010
Character Studies
It hides our face and shades our eyes
Occasionally writers talk about their characters coming to life and begin a dialogue. I was wondering about some characters myself. I don't see faces yet, but I'm sure that will come.
I am probably suppressing some secret desires. I am jealous of others and try to derail other's dreams through reverse psychology. I believe I have a domineering personality.
I have low self-esteem because I find socializing awkward. I have no vices save a darkly personal one that makes me go to great lengths to satisfy it. This comes from low self-esteem.
I have a pleasant public face, acting sweet and innocent, but underneath I am ambitious without a conscience. I have intellectual vanity brought on by a domineering parent and my belief that I am not attractive.
I seek out company with the rich and influential because I want to be counted among them, but since I lack both, I never will be part of their world. Fundamentally, it's about the social hierarchy for me.
At my core, I am hedonistic and a seeker of luxury and comfort. An overinflated sense of self that alternates with a tendency towards depression. A fantasy life acts as a buffer between the real world and how I see myself.
I have no empathy for others because they are inferior to me. I have always sought out companions whom I felt were not my equals because I feel threatened by anyone who might be otherwise. I numb myself because I cannot recognize what caused the vacuum in my personality.
I have religious ideation because I want to believe that I am special. I believe myself to be in the know and am fascinated by controversy and conspiracy ideas and theories. This supports my idea of myself. I can be lazy and have little follow-through on my ideas.
Friday, January 15, 2010
A Good Kettle of Fish

The private lesson is a one-on-one meeting and is so different from the anonymity that a large classroom can afford. It's an odd kind of experience to be sure. There's a whole set of dynamics that comes with it that the teacher has to be prepared for. Students might find it easier to show displeasure when you are being purely objective and less friendly as you teach them. They also might mistake your friendliness as flirting or being a pushover.
You can't win. Too serious a demeanor and you scare away students as being too mean. Too goofy and they don't take you seriously.
I have seen expressions fall into dissappointment as I give the harsh news that, "This isn't going well." I have seen young women smile with sure certainty that I was enchanted by their beauty only to realize that an A was not in their future.
I had one older student who, upon leaving for her lesson, would walk a short distance down the hall, only to turn around, shoot a glance at a certain region on me, then a sharp look up at my face. How do you handle that? You don't until it becomes an issue.
Most slackers accept their fate with quiet acceptance, but some choose to try to blame it on me. Don't even try.
As I said to a student last night, "My friend, I have been doing this since 1987. I know all the angles." He smiled huge.
And probably went out and thought about one I haven't thought of yet.
Thursday, January 14, 2010
Steve
When that diagnosis came down several months ago, it was impossible to fathom why a nice guy, who worked hard and was near an early retirement, would be slammed with such terrible news.
His wife had been keeping us updated by email. In typical family tradition, her missives were always clear, concise and unwaveringly honest. Not even a whisper of self-pity about them. She always thought about him first.
I don't have any profound summary, no clever overview or indictment of the ways of the Big Man Upstairs. In short, sorrow and emptiness.
My aunt said that, "Even though you expect it, it's still a shock."
I feel numb, stupid, afraid and impossibly sorry for Steve, his wife and family.
Tuesday, January 12, 2010
The Book of Red

Do you ever feel like the universe conspires to fuck with you? That no matter what, things get weird then they get worse? I get this feeling coming on sometimes and, as a much younger man, I would tend towards panic and struggle to rectify the invisible dealings of the cards being dealt. Now, I think the image of someone trying in vain to crawl their way out of a greased well is the best way to describe my emotional state at these times. The more you struggle, the uglier it gets.

Why doth the heathen rage?
Perhaps I need to ask Uncle Bill this question. I don't know why reds choose to hang out at the Cafe de Joe Muggs. They cannot believe they are among the literati. What do they do? Thumb through copies of Deliverance for that special scene of outdoor love? It's very apparent that Friday and Saturday are Date Night at Wal-Mart, so since BAM is just around the corner, it's like the local malt shop for the camo set.
Monday, January 04, 2010
Thy Fish Doth Smelleth

And So It Begins

Friday, January 01, 2010
To the Decade's End

On Weds, the owner walked right up to der guitarmeister and informed him, sans any salutary greetings, that he wanted him "to start right at five o'clock." Li-Li was playing with him that night and heard this conversation which she interpreted as being slightly on the brusque side. Is management getting itchy? Word had it that some 90 people had reservations. 90 people? Oh dear! Oh my!
[Laid back revelers and the sacred pale ale]
I rolled in late to pick up some charts. Sat at the bar and got a pale ale on draft. Delightful and with enough nourishment and kick to make blue bloods bearable. Evidently, the freak parade was in full swing with a headbanded character at the bar staring at the entertainment; making Li-Li a bit nervous. He ordered a Johnny Walker on the rocks, a Bloody Mary and a Miller Light. D-man, the wonder barman, asked which of those he wanted first. "All of them," came the cryptic answer. Planning on getting blitzed or just showing off? Methinks the latter.
I kept trying to watch the musicians, but kept getting eye contact from this character. It just got weird. The headband looked a tie. It said, "Look at me. I'm an asshole waiting to happen." Experience has taught me that some folks just cannot blend in, but rather seek out the attention of anyone who will bear their insufferable tales of greatness. Li-Li said he later got on his cell phone and openly talked about snuffing people out in Peru or somewhere. This, ladies and gentlemen, is the fiction portion of our programming this evening. Freaks, in every and any case, cannot bear not to be the center of attention and better if it makes them look all badass.
All that aside, Li finally got to see Big Red.
"Was she with friends?" I earnestly asked.
"No, she was alone." And as women do notice these things, she gave me a rundown of her outfit: mink coat, spiky boots and that fab-o famous flaming hair.
"All she needed was a cigarette holder."
"To become Cruella Deville."
Nah. We shouldn't pick on old Red. On to the gig.
To be honest, it began much quieter than usual. People were late gathering and when they did, it was to dine. It was a sedate crowd. I think we both were acutely aware that volume and style were critical at the beginning of the evening. Slowly, slowly, things began to build up.
After a two and a half hour set, a miracle occurred: we took a break. Yes, we actually stopped playing before the three hour mark. That is not a complaint, my dear readers. Nay. Playing with a guy with this much ability gives you energy like you never knew you had. Sometimes when the mix of musicians isn't right, it can tire you out because you feel, as one drummer said of a bass player, "It's like dragging a coal barge up the Kanawha river."
After getting a delicious pale ale draft, I followed der guitarmeister along his social path where I met a drummer, watched from afar as he chatted with a singularly beautiful woman and met some lovely people having desserts. I was asked for my Marlon Brando imitation and being the showman (HAM) that I am, I obliged. I had to carefully pick a Apocalypse Now Brando line that would not weird out the family dining scene. Thankfully, good taste prevailed and I didn't make an ass out of myself.
Back at the "band stand," I asked him who was that lovely lady? He told me. I, of course, instantly forgot the name. Then we both agreed: does it matter? No.
"When you're that beautiful, you don't have to do anything." I agreed. The awesomeness gives her a pass on all levels. It's like an all access pass. To everything.
"She's ridiculous like all beautiful women are ridiculous." Last night, after pale ale #2, that sounded more philosophically profound than it does now. Sobriety has that effect.
Back for a quick half hour set, then done.
Gig over, get paid, help load out, talk to two somewhat eccentric father and son fans, then pale ale #3 to finish. Drive home.
No wild party, just a working player. Happy, happy, happy.
All before midnight.
Tuesday, December 29, 2009
Red Krovvy, Anyone?

These freakin' tunes can be quite a lot to tackle. All these complex G9#11 type stuff and a maze for a roadmap. In fact, most of the time, once you get a decent fingering for these seemingly complex chords and a grasp of the rhythms, figuring out the form is the hardest thing for me. I find that's very true in Latin and rock music as well. Easy chords-tricky form.
