Tuesday, December 30, 2008

To a New Year

Though it doesn't seem like it, I have been a teacher much longer than anything else.
Last semester, I taught only three students. This was the smallest enrollment I have ever seen. Two were advanced and one was a beginner.

The advanced students were tortured with the ideas I gathered from my four days with Fripp. The beginner?....well. He probably couldn't play an A minor chord for you right now even though we worked together for about 13 weeks. He is not unusual. Some end up absorbing very little.


These pics are from the UC classroom. Every week I'd come back and see my same wacky scrawl still on the chalkboard. UC has gotten rid of the Music Major program. It's like they have an aversion to the liberal arts in general. I have watched and waited since 1987 to see this day. Private lessons flew so low under the radar that they missed being cut. I feel very lucky to teach.
At this point, I no longer feel a little angry at colleges in general for their "part-time" way of handling qualified teachers. You know, all of the work, but no security or benefits. I jumped ship and found a full-time job, saving me from the path I was on of no less than five part-time jobs at one time. It was an insane schedule and I don't miss it at all. I hardly knew where the hell I was half of the time.

[ABOVE Torture for the advanced students.]

Teaching is fun for me anymore. Even when they try to get an easy grade, wiggle out of work or try to get under your skin - an old and inevitable trick. Female students will flirt (Skirts get tighter and shorter. One gal came to a lesson in a black micro-mini. Subtle, yes?) and male students puff out their chests. But in the end, this is useless puffery. I let them know it's about one thing: passing or failing baby.

An old, old trick is when a student tries to name-drop-the-famous-guitarist to make me feel inadequate as a player. When a student tries to push perceived buttons of my insecurity, I floor them a bit when I say, "Oh yeah. That guy's a great player." Or the bomb "I can't play that, no." I am realistic in my assessment of my place in the pantheon of players, but the irony is lost on them. They who can barely play place me up against the best players in the world. It shows ignorance yes, but it shows I am getting to them. I am holding a mirror up to their flaws on the instrument. I am to encourage, but to challenge always.


I have an idea for a guitar class. It's going to be exciting if I can launch it for Fall '09.


No doubt certain students will try to wiggle out of working as best as they can and some will soar. But I am willing to make my life just a little bit less comfortable by trying this out.

So. Happy New Year.
And for you potential students, here's some free advice: Keep a good posture, play in the mid-range and leave the mini-skirts at home. Daddy's not interested.



















Sunday, December 28, 2008

Winter Pages

We didn't have a white Christmas.
But here's hoping for such.










Friday, November 28, 2008

Quotable Quotes


The following are true and accurate quotes.

"I can make some remarkably mediocre food."

"While I'm making a bird sandwich..."

"big ol' trashy whore..."

"My brain power was switched off."

Wednesday, November 19, 2008

Priceless

Point-and-Shoot: not that much.

Capturing nosy, cranky old lady's expression:

oh yeah.

Untitled


Ugly is Thy Name

This past summer, I saw the fattest and most hideous fly I've ever seen. I had to take a few shots of this winged monstrosity.

Looks tasty, yes? Full of hairy, crunchy goodness.






This Is WV

Monday, November 03, 2008

To Play, To Freeze

The journey of this gig is a long one, but I will make it brief. (Brief is tough for me.)

In the summer, we played a wedding and it was right after the ceremony that this little wisp of a young gal asked us for a card.

When she called, she informed us that the gig would be out of town. About an hour and a half out of town in fact.

Rule #72: Always charge for travel. Gas, time and hassle, especially hassle, all factor in greatly. So, like every sensible group, our in-town and out-of-town fees will differ greatly.

This bride was intense and needed almost weekly or biweekly contact to reassure her that we were in fact going to be there and sound good. She also wanted to haggle over the price which she felt was high. Certainly higher than the two other musicians she was considering for the job. Li-Li did more than her share of keeping to her guns price-wise.

True story: A law firm once hired us and put a young intern in charge of dealing with the musicians. Every time she called, she would try in no uncertain terms to try to get us to lower our fee. Let me say this: our fees are comparable to any one's in the valley. But this little shark kept biting at me until I said,

"Mam, do your clients set the hourly fee for you?"

A sheepish "No." came forth and then the truth: "They wanted me to see if I could get the best price possible." OK. You were trying to impress your superiors at the firm. Now we are on the same page.

Rule # 14: Be willing to walk away at any negotiation, especially a wedding gig. For what they will pay for ONE flower arrangement, they can easily afford you.

She tried everything, even citing declining gas prices. We did not change our fee. Though Li was the main contact for the gig, she even tried the old divide and conquer by calling me. She was polite, but even though I avoid confrontation at almost any cost, I can get real with people if I am pushed enough. With a calm that hopefully masked my annoyance, I tried to sell us and justify our fee compared to the other musicians.

It must have worked and we certainly had one ace in the hole: she wanted a song sung at the ceremony. The other musicians, both of whom play in the symphony, I gambled would not be able to fill this order.

We were hired and the calls still came, but each one certainly contained an inquiry about "How is the song coming along?" "Does he know it yet?" "Does it sound good?" There was even a suggestion that she HAD to hear it over the phone.

Oh boy. What hath we wrought?

I, of course, delayed learning the song as long as possible because it sounded a bit painfully cheesy when I listened to it on YouTube. Do you blame me? Duty bound, I will endure anything for the right price and learn it I did. Sans twang, of course.

The drive was wonderful. Lisa and I have been pals for a long time and we are comfortable with each other like an old married couple. In fact, people ask us if we are married. She snidely retorts with this gem: "No, that's why we are good friends." (If people get the sarcasm, they don't show it on their faces as it is frequently met with just a polite smile.)

The sun burst through at one point as we passed over the New River Gorge. We have to keep reminding ourselves that a constant vigil must be kept or we will keep talking until we end up in another county.

Rule #24: musicians must be obnoxious when it comes to parking. People will get pretty bitchy about parking, so you must explain that you have more than a backload of equipment to move. I parked as close as possible and ignored the warnings from the caterer. It's my back, dammit.

The setting was gorgeous and perfect except for one major thing: it was freakin' freezing when the sun wasn't out which was most of the time. If you squint at some of the pics of the bridesmaids, you'll see they were exposing quite bit of skin. I did feel really sorry for such an weather inappropriate choice for the bridesmaids.
It was suggested that we set up on the walkway. Nope. Rule #121: The people who hired you usually have no clue as to where you should be. Sometimes you have to stand up for what you believe is a better choice both from a sound perspective and from a staying out of the way of foot traffic one. A guitarist is relatively safe, but Lisa's instrument could knock her teeth out with a clueless guest.

Why don't people see you?

Because we are invisible.

We chose to set up at the back entrance, under covering, facing our amps out towards the ceremony. We still froze and Lisa suffered the most. At one point, she didn't look so well. Eyes watering, shivering and her playing started to get an exaggerated vibrato to it. She had my jacket on and still was bone cold.

I got through my song; singing in the fall freeze, looking out on the New River Gorge. Lisa told me later that it sounded pretty good. That's all I need to hear.

My fingers were fine until the procession song and then my left hand decided to become almost nonfunctional. The freeze had caught up to me.

After the gig, we warmed up inside with food and beverage. Nothing like a deep freeze to make you appreciate basic comforts.

On the way home, Lisa told me how burned out she felt about the whole gig. The calls, the constant reassurance, the planning, the price haggles, etc. She said that the gig had taken quite a lot out of her. Sometimes we cannot calculate how much a simple operation can cost us from a personal perspective.

Back at her house, her husband, being the perfect host, offered me a vodka and cranberry. "Hell yes." was my answer without hesitation. Lisa had to roll out in less than two hours to play a gig. Ironically, I had been invited to play this gig, but the band leader had forgotten he had invited me. I told her I was going to show up, sit in the table closest to the band and play along. Or I could play the disenfranchised band member who had in turn become the band's biggest supporter by applauding way too loud and too long.

In the end, I would have liked to have played, but appreciated the luxury of staying home. Oh yeah. It's good to play, but it's also nice to appreciate home life.

Thursday, October 30, 2008

Local Boys Make Some Noise

My friend and fellow muso Doug had his 50th B-party not so long ago. Listening to the local boys, the Soul Doctors, make some noise, it really struck me how good they sounded. Downright kickass in fact.

It also reminds me of the myth that because a musician lives in a small town, somehow he may not be as good as someone living in the major cities of America. It's bullshit. Charleston can put its talent up against any place, anywhere. These cats can play baby.

We also have this idea that somehow fame is equal to talent. Talent is something difficult to measure until you see it in action and it has nothing to do with fame. Fame is more about ambition, looks and incredible luck.

So, as I watched and listened to the local lads, I was truly impressed. I felt proud to think that the musical community counts me among them.

So, congrats on hitting 50, Doug. You sound and look good baby. Own it!